Rumi Teach-In at Texas, February 6-9

Rumi Teach-In at Texas, February 6-9

Session 1: Saturday, February 6, 3-6 pm.
Almost a hundred audience members heard Michael Craig Hillmann’s analysis in English of Rumi’s “Song of the Reed” (the first 18 couplets of Masnavi-ye Ma’navi, Bijan Afkhami’s readings of seven Rumi poems from Divan-e Shams-e Tabrizi, and a lecture in Persian on “Rumi’s World” by Bahram Moshiri, Iranian American television personality, social critic, and political activist. Audience members found Afkhami’s readings inspirational and Moshiri’s lecture rich in background information.

Session 2: Sunday, February 7, 12 noon.
Students in UT’s Modern Persian Poetry Seminar met over lunch to discuss in Persian Rumi’s Poetry and Sohrab Sepehri’s Seda-ye Pa-ye Ab [The Sound/Voice of Water’s Footsteps]. Nastaran Kherad, Persian Studies Ph.D. candidate and author of In the House of My Bibi: Growing up in Revolutionary Iran, opened the discussion with a reading from Sepehri’s poem, and Koorosh Angali, Associate Professor of Persian at Defense Language Institute (Monterey, CA) and poet, painter, and musician,  read and analyzed Sepehri’s “Sure-ye Tamaasha” [Stroll Sura] as a commentary on the nature of the Islam which the speaker of The Sound/Voice of Water’s Footsteps professes. The most successful such academic session ever at a UT Persian Studies literature conference, the discussion lasted almost five hours!

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Session 3: Monday, Feb 8, 5-7 pm, Avaya Auditorium (ACE 2.302).
“The Mystery of Rumi’s Religion,” a lecture in English by Koorosh Angali. In this lecture, Professor Angali, who has lectured at UT Austin on Khayyam and Ferdowsi and has produced two CDs of readings of poems by Rumi, will analyze key Rumi poems to resolve the controversial issue of the poet’s religious convictions.

AVAYA Auditorium (ACE 2.302) is in the Applied Computational Engineering and Sciences Building (ACE) on the UT Austin campus at 201 East 24th Street (southeast corner of Speedway and 24th). For directions, including parking options, google “AVAYA Auditorium Parking.”
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Session 4 : Tuesday, February 9, 9-11:30 am, Asian Culture Room,Texas Union 4.224     A Discussion (in Persian) of Rumi’s “Story of Daquqi,”featuring a paper by Anousha Shahsavari, UT Lecturer of Persian.

Session 5: Tuesday, February 9, 6-8 pm. Avaya Auditorium (ACE 2.302)
Iranian Music and Persian Poetry by Hadi Farasat and Friends. .A special performance by talented musicians

Green Step Demonstration for Iran’s Green Freedom Movement

Green Step Demonstration for Iran’s Green Freedom Movement

Green Step Demonstration for Iran’s Green Freedom Movement

“Green Steps of Iran” is a collaborative Green shoe installation piece in support of 22 Bahman in Iran.
Big thanks to everybody we made our goal to have 500 pairs of shoes.  Shoes are already painted green. This will be an outdoor event.
We hope you and your family can join us for the fun!
Place: UT campus (West mall)
Date, Time: Friday 2-12-2010, 4:00PM to 6:00PM

Sponsored by Austin for Iran, Iranians for Peace and Justice UT, Austin Permanent Peace Protest.
http://www.facebook.com/event.php?eid=288773912816&ref=mfa

“Green Steps of Iran” art installation on the UT campus in support of the Iranian Green Movement

“Green Steps of Iran” art installation on the UT campus in support of the Iranian Green Movement

For immediate release: February 8, 2010

Contacts:
Sheida Soheili (512)567-0061 Soheilies@aol.com
Banafsheh Madaninejad (979)525-9366
bmadaninejad@gmail.com

What: “Green Steps of Iran” art installation on the UT campus in support of the Iranian Green Movement.

Where: by the West Mall Bldg, UT campus:

http://www.utexas.edu/maps/main/buildings/wmb.html

When: Friday, February 12th

“Green Steps of Iran” is a collaborative Green shoe installation piece in support of the Iranian Green Movement.  The Iranian regime has elevated its brutal crackdown on the defenseless population.  In an unprecedented move, the regime executed two imprisoned demonstrators a few days ago.  As the international community, we feel obligated in keeping the Green struggle alive as the stakes become higher and more costly for our brothers and sister inside Iran.

With this in mind, a group of concerned citizens in Austin have created “The Green Steps of Iran” art installation to symbolize that country’s tireless green march towards emancipation from tyranny. Please come by and support the movement on Friday the 12th of February on the UT campus.


Sponsored by Austin for Iran UT, Iranians for Peace and Justice UT, Austin Permanent Peace Protest.

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For more information visit austinforiran.org

Shoe drive for a collaborative art installation on the UT campus in support of the Iranian Green Movement “Green Steps of Iran”

Shoe drive for a collaborative art installation on the UT campus in support of the Iranian Green Movement “Green Steps of Iran”

Where: Shoe drop off at 6th and Lamar in front of Waterloo Records

When: 4-6 PM, Friday, February 5th

Take a Green Step for Iran’s Green Freedom Movement

“Green Steps of Iran” is a collaborative Green shoe installation piece in support of the Iranian Green Movement.  The Iranian regime has elevated its brutal crackdown on the defenseless population.  In an unprecedented move, the regime executed two imprisoned demonstrators a few days ago.  As the international community, we feel obligated in keeping the Green struggle alive as the stakes become higher and more costly for our brothers and sister inside Iran.

With this in mind, “The Green Steps of Iran” welcomes your collaboration:  Please participate in this Green Communal event by donating your unwanted shoes. Our goal is to collect 500 pairs of shoes.  The shoes you donate will be colored green and installed on the UT campus (West mall) on February 12th, 2010.  Every kind of shoes is welcome; pairs, singles, small, big, old, basically any shoe that you do not need, we will happily accept.

A drop off station will be set up Friday the 5th of February at the intersection of 6th and Lamar in front of Waterloo Records.


Sponsored by Austin for Iran UT, Iranians for Peace and Justice UT, Austin Permanent Peace Protest.

For more information visit austinforiran.org

Rumi’s Poetry and the Persian Sufi Tradition. . .TTh 5–6:30 pm. . .CBA 4.344

Rumi’s Poetry and the Persian Sufi Tradition. . .TTh 5–6:30 pm. . .CBA 4.344

ISL 372 (42083), MES 321K (42207), PRS 361 (42438), RS 358 (44517)

Jalaloddin Rumi (1207-1273), the premier Middle Eastern “Sufi” poet, is a bestselling author in the West and perhaps the most popular poet in America. This Persian literature-in-translation course, designed for undergraduate students without any background in Iranian Studies or the Persian language, examines the Rumi phenomenon through a close reading of representative texts of translated Persian poems and, in the process, dispels popular myths about Rumi and other Persian poets. On the occasion of this course, a Rumi Teach-In will take place on 7–9 February, involving guest speakers, a panel discussion, film screenings, music, and recitations from Rumi’s poetry.

Required course texts are: The Koran (2006) translated by Anonymous and N.J. Dawood; The Koran: A Very Short Introduction (2000) by Michael Cook; Rumi–Past and Present, East and West: The Life, Teachings, and Poetry of Jalal al-Din Rumi (2007, revised edition) by Franklin Lewis; and a packet of Persian texts in translation and commentary.

Course grading takes into account class recitation and participation in discussion (30% of the course grade), two review tests (20% of the course grade each), and a term paper (30% of the course grade). Term papers present a personal impression of a Rumi text chosen by the student, that personal impression grounded in concepts and information developed in class and in course readings. The course has no final examination.

The opening course session on January 19 at 5 pm in CBNA 4.344 is a lecture (open to the public) by course instructor Michael Craig Hillmann on “Edward FitzGerald’s The Rubaíyát of Omar Khayyám vis-à-vis Sufism.”

UPDATE: Event for Rooz-e haft of the Ashura martyrs (Austin caravans for Iran)

UPDATE: Event for Rooz-e haft of the Ashura martyrs (Austin caravans for Iran)

For Immediate Release: December 31th, 2009

Press Contacts:

Roja Najafi (609) 712-1193  rojanmn@gmail.com
Banafsheh Madaninejad (979) 525-9366 bmadaninejad@gmail.com

ROLLING PROCESSION IN REMEMBRANCE OF IRAN’S GREEN ASHURA, AUSTIN, TX

What: Commemorative Automobile Procession.
Where
: First rendezvous point: Mozart’s café (3825 Lake Austin Boulevard) at 11:00am.Second rendezvous point:  Central Market parking lot (4001 North Lamar Boulevard) at 12:00pm.
When
: Saturday, January 2nd 2010, 11:00 am – 1:00 pm.

The day of Ashura, a day of mourning for Hossein, the grandson of the prophet Muhammad, has been commemorated by Muslims for more than a thousand years.  Hossein, who was brutally killed at the hands of the corrupt caliph of the time, has come to symbolize the struggle against injustice, tyranny, and oppression in the Shi’i world.

This year’s Ashura, Dec 27 2009, millions of Iranians gathered in many cities to mourn for Hossein.  The Iranian regime brutally suppressed what was also being used as an opportunity for protest against the fraudulent elections of June 22nd.  Since Dec 27th, the Iranian security forces have injured hundreds, arrested nearly a 1000 and killed 12 people.  Due to the regime’s brutal response, Dec 27th, 2009 is now being called Iran’s Ashura.

To condemn the Iranian regime’s cruelty and to show solidarity with the families of the people who have been killed, injured and imprisoned, we invite you to follow our mourning procession on January 2nd.

Please join us at Mozart’s Café from 9-11am for decorating your cars to be followed by the procession at 11:00am.  If you can’t make it at 11:00am to Mozart’s meet us at noon at the north Lamar Central Market location.  For route details please visit austinforiran.org.

We will provide the material needed, just show up.

Please refrain from placing any flags or using inflammatory slogans to decorate your cars.

This event is sponsored by AustinforIran.org.

Iranian Film Screenings at the Austin Asian American Film Festival

Iranian Film Screenings at the Austin Asian American Film Festival

People in the Shadows by Bani Khoshnoudi Sat, Nov 14, Alamo Drafthouse South Lamar
Run time: 90 min. | Iran | Language: Farsi
US Premiere! Award-winning director Bani Khoshnoudi shows the capitol city of Tehran in all its complexities and contradictions. In three loosely interconnected segments, everything from the Islamic Revolution, to war with Iraq, to Tehran’s embrace of consumer culture are addressed. But, the focus is on the multifaceted inhabitants of Tehran. The martyrs who build roads, cobble shoes, and cut hair, and the trailblazers who consider emigration, go to underground concerts, and shop at the mall, all get equal treatment in this illuminating documentary that sees and listens to the everyday people who live with the consequences of disputed elections, international sanctions, and the banalities of everyday life. People in the Shadows offers a rare glimpse into a city teeming with life and possibilities.
Sat, Nov 14, Mexican American Cultural Center
The acclaimed Oscar nominated Persepolis is back for a FREE one-time only outdoor screening on Town Lake! Marjane is a young girl coming of age during the Iranian revolution along with her idealistic family who yearns for a brighter future for their country. From young punk rebel to alienated Austrian expatriate to outspoken political dissident, we follow Marjane’s extraordinary life through the stunning and inventive animation of Vincent Paronnaud and Marjane Satrapi (on whose life Persepolis is based). This winner of the Jury Prize at the Cannes Festival captures the optimism of a young girl who refuses to let even the most adverse of circumstances dampen her rebellious spirit. Accompanied by the delicious global cuisine of three Austin food vendors (Sushi-A-Go-Go, Satay Thai and Get Sum Dim Sum) and preceded by the phenomenal Iranian band Tehranosaurus, this is an event not to be missed!
10th Annual March to Stop Executions

10th Annual March to Stop Executions

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RSVP online:
 http://www.facebook.com/event.php?eid=176464591094

For more information visit: marchforabolition.org

EXONERATED PRISONERS AND FAMILY MEMBERS OF INNOCENTS ON TEXAS DEATH ROW TO LEAD 10TH ANNUAL MARCH TO ABOLISH THE DEATH PENALTY

On October 24th, the Iranian-American community of Austin will march in solidarity with the people of Texas to call for an end to this barbaric tradition around the world. We will hold signs calling for an end to stoning, execution of children, and political prisoners in Iran (you are welcome to bring your own signs and posters). CNN and several European TV channels are going to cover this march. This will be a great opportunity to raise awareness about the human rights conditions in Iran and also in our own state of Texas.

Saturday, October 24th 2pm: (AUSTIN) Family members of Reginald Blanton, Jeff Wood, Luis Castro Perez and Rodney Reed, Texas Death Row cases with strong innocence claims, will lead the “10th Annual March to Abolish the Death Penalty” in Austin October 24th. Speakers at the annual march include Shujaa Graham and Curtis McCarty, who served more than 20 years combined on death row before being fully exonerated and released. Eugenia Willingham, mother of Cameron Todd Willingham, will be among the special guests at this year’s march. In three independent reviews over the last five years, seven of the nation’s foremost arson experts have found that the forensic analysis that led to Todd Willingham’s conviction and execution in 2004 was completely wrong — that there was no scientific basis to find that the fire was anything more than a tragic accident. All of the non-scientific evidence against Willingham has also been discredited.

Speakers and other confirmed attendees at the march also include Jeff Blackburn (Chief Counsel of the Innocence Project of Texas), Jeanette Popp (a mother whose daughter was murdered but who asked the DA not to seek the death penalty), Elizabeth Gilbert (the pen pal of Todd Willingham who first pushed his innocence and helped his family find a fire expert to investigate), Walter Reaves (the last attorney for Todd Willingham, who fought for him through the execution and continues to fight to exonerate him), Terri Been whose brother Jeff Wood is on death row convicted under the Law of Parties even though he did not kill anyone, and Anna Terrell the mother of Reginald Blanton who is scheduled for execution in Texas on Oct 27 three days after the march.
The march starts at 2 PM on October 24 at the Texas Capitol. Supporters will gather at the Texas Capitol at the gates leading into the Capitol on the sidewalk at 11th Street, march down Congress Avenue to 6th street, then back to the South Steps of the Capitol for a rally to abolish the death penalty.

The Annual March to Abolish the Death Penalty has been held each October since 2000 in cooperation with several Texas and national anti-death penalty organizations. It is a coming together of activists, family members of those on death row, community leaders, exonerated prisoners and all those calling for abolition.
Each October since 2000, people from all walks of life and all parts of Texas, the U.S. and other countries have taken a day out of their year and gathered in Austin to raise their voices together and loudly express their opposition to the death penalty. The march started in Austin in 2000. In 2007 and 2008, the march was held in Houston. This year, it is coming back to Austin.

The annual march is organized by several Texas anti-death penalty organizations, including the Austin chapter of the Campaign to End the Death Penalty, Texas Moratorium Network, the Texas Death Penalty Abolition Movement, Texas Students Against the Death Penalty and Kids Against the Death Penalty and sponsored by over 50 various organizations.

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مجازات اعدام را لغو کنید

مجازات اعدام، مجازاتی غیر انسانی است و به دور باطل خشونت و انتقام در جامعه دامن میزند. مجازات اعدام در هیچ کشوری تاکنون باعث کاهش میزان جرم و جنایت نشده و به خصوص در کشورهای دیکتاتوری حربه ای قانونی و وسیله سرکوب و قتل مخالفان و دگراندیشان است. از سویی عوارض روانی مجازات اعدام در کوتاه و دراز مدت هم بر بازماندگان قربانیان و هم آنها که مجازات را اجرا می کنند مخرب است و از سویی دیگر از جامعه نسبت به خشونت و رفتار خشن حساسیت زدایی می کند. برای بنیاد جامعه مدنی، دموکراسی و نهادینه کردن حقوق بشر، احترام و امنیت برای دگراندیشان و تبلیغ فرهنگی خشونت پرهیز، لغو مجازات اعدام در ایران یکی از گام های اولین و پایه ای است.

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Sponsors of the 10th Annual March to Abolish the Death Penalty

Campaign to End the Death Penalty – Austin Chapter, Texas Moratorium Network, Texas Death Penalty Abolition Movement, Texas Students Against the Death Penalty, Kids Against the Death Penalty, Texas Death Penalty Education and Resource Center, Students Against the Death Penalty, Sister Helen Prejean, Jeff Blackburn, Award-winning trial lawyer best known for overturning the wrongful convictions of 38 residents of Tulia, Texas. He currently serves as Chief Counsel for the Innocence Project of Texas and as a member of the IPOT’s Executive Committee. Organization given for identification purposes only., Community Involvement Committee, 1st Unitarian Universalist Church of Houston, International Socialist Organization, Dallas Peace Center, Human Rights Coalition, College Station, Rice University chapter of Amnesty International, Journey of Hope…from Violence to Healing, South Carolinians Abolishing the Death Penalty (SCADP), Reprieve, Ensemble Contre la Peine de Mort (Together Against the Death Penalty), France, Lee Camp (comedian/writer/activist), Jill Sobule (singer/songwriter), Abolition U.K., ALIVE-Coalition to Abolish the Death Penalty-Germany, Capital of Texas Democrats For Life (CTDFL), Democrats For Life of Texas (DFLT), NOKOA – The Observer, Iranians for Peace and Justice, Texas Civil Rights Project, S.H.A.P.E. Community Center in Houston, inkblot creative (Shannon Dudley), Loving a Convict, Ray Hill’s Prison Show on Houston’s Pacifica radio station KPFT 90.1 FM, UT Prison Caucus (University of Texas at Austin), Social Justice Action Coalition (University of Texas at Austin), DP Coordination Team of Amnesty International Canada Francophone, D.R.I.V.E. Movement, Joanne Gavin, a founding member of Texas Death Penalty Abolition Movement, Anti-Racist Action (ARA), Diana Claitor, The Texas Jail Project, Iran Human Rights, Mary Ellen Kersch, Georgetown Texas, Todd Moye, Fort Worth, Sylvi, Calvet, France, Frances Morey, Austin, Judith Palfy, London, Art Browning, Cypress Texas, Mary Hunter, Chatanooga TN, Cynthia Brewer, Victoria Texas, Mimi Attleson, Albuquerque New Mexico, Emmanuelle PELOIS, Paris France, Tony and Rachael Ford, MonkeyWrench Books, Marj Loehlin, Austin TX, Bill Pelke, Alaska, Thomas Long, Greenville, NC, Tim Duda, San Antonio TX, Eric Schwing, Richmond, Allen Ansevin, Houston TX, Shelly Henderson, Los Angeles CA , Verneeda Alvarez, Baltimore, MD, Anna Shockley, Jamestown SC, -Capital-”X” aka 305375, Carmen Sert, Barcelona Spain

Screening of Brick and Mirror (Khesht va Ayeneh) by Ebrahim Golestan‎

Screening of Brick and Mirror (Khesht va Ayeneh) by Ebrahim Golestan‎

n149132735605_9816Tuesday, October 13, 2009 – 7:30 PM  Burdine 216‎
Persian with English subtitles.
Runtime: 131 min Black and White

Followed by a discussion with Somy Kim.

Facebook Event

One of “Reader” critic Jonathan Rosenbaum’s “Top 1000” from his book Essential Cinema, THE BRICK AND THE MIRROR is as fabled for being unseen in a public screening in over 35 years as for its significant thematic and technical breakthroughs. Moody realism conveys a stark poetry in this tale of a cab driver stuck with an abandoned baby in his back seat. Moral quandaries and social fears vie with eroticism when the driver and a lonely woman spend the night with the baby as the phantom facsimile of a family. The film’s finale, set in an orphanage, is a stunning, haunting piece of social realism that was to send ripples of influence through the next four decades of Iranian cinema.

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Brick and Mirror is unlike anything I have seen from Iran, for it is my introduction to Iranian cinema before the revolution. With the world’s eyes keenly focused on Iran, – politically or otherwise – there prevails a risk of drawing a monolithic portrait of the country. Watching Brick and Mirror, one can see how starkly different the two ages are and how drastic a cultural shift its citizens were subject to after 1979. Golestan’s film, more or less, also testifies the strong relation between France and Iran that prevailed during the Shah’s regime. He, evidently and interestingly, draws inspiration from both Godard and Bresson, apart from incorporating tenets from other famous schools of film-making. With complete control over every aspect of the film (writing, directing, editing and producing it by himself), Golestan churns out a film that is clearly Iranian in content, yet could pass of as one of the French New Wave movies.

Almost the whole film, both formally and script-wise, never conforms to the popular law of cause and effect. Golestan refuses to explain everything and seems to want us to not understand the city, much like Hashemi himself. Who is that crazy female at the hell-hole that Hashemi meets earlier? No answer. What is the guy, whom one might have called a charlatan earlier in the film, doing on the national channel talking about the ethics of living? No answer. Could that female, whom Hashemi sees the second night be the same lady who left the baby in his car the previous day? May be. But surely, all these aren’t merely confusing or distancing devices. Each of these scenes reveals something about the city and the era, in one way or the other. Each of them has indirectly managed to document history – cultural and cinematic. Consequently, now more than ever, it feels that these seemingly stray events are the very elements that can help us perceive better a country that has been unjustly homogenized using, what Brick and Mirror shows us, a faux identity.

Director: Ebrahim Golestan(Ebrahim Golestan (also spelt Ibrahim Golestan, Persian: ابراهیم گلستان , born 1922 in Shiraz, Iran) is an Iranian filmmaker and literary figure with a career spanning half a century. He has been living in Sussex, United Kingdom, since 1975. He is the father of Iranian photojournalist Kaveh Golestan, and Lili Golestan,translator and owner and artistic director of the Golestan Gallery in Tehran, Iran. His grandson, Mani Haghighi, is also a film director.) Writer: Ebrahim Golestan Cast: Taji Ahmadi, Zackaria Hashemi, Parviz Fanizadeh, Manuchehr Farid, Mohamad Ali Keshavarz, Jamshid Mashayekhi, Akbar Meshkin, Jalal Moghadam.
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Iranians for Peace and Justice
 www.utipj.com

PRESENTS
Fall Film & Lecture Series

Tuesday, 10/06/09 Waggener 101 7:30 PM
Lecture: Ferdowsi’s Shâhnâmeh and Popular Culture by Hooman Hedayati

Tuesday, 10/13/09 Burdine 216 7:30 PM
Screening: Brick and Mirror (Khesht va Ayeneh) by Ebrahim Golestan
Followed by a discussion with Somy Kim

Tuesday, 10/20/09 Burdine 216 7:30 PM
Screening: Color of Paradise (Range Khoda) by Majid Majidi

Tuesday, 10/27/09 Burdine 216 7:30 PM
Screening: Bashu (Little Stranger) by Bahram Beizai

Tuesday, 11/03/09 Burdine 220 7:30 PM
Screening: Men at Work (Mardan Dar Karand) by Mani Haghighi

Tuesday, 11/10/09 Burdine 220 7:30 PM
Screening of The song of Sparrows (Avaze Gonjeshk-ha) by Majid Majidi

Tuesday, 11/17/09 Waggener 101 7:30 PM
Lecture: Uprising in Iran by Prof. Snehal Shingavi

Tuesday, 11/24/09 Waggener 101 7:30 PM
Lecture: Abu Muslim, the First Iranian Revolutionary after Islam by Novin Ghaffari

‎Ferdowsi’s Shâhnâmeh and Popular Culture , a Video Presentation

‎Ferdowsi’s Shâhnâmeh and Popular Culture , a Video Presentation

n162508958082_8403Ferdowsi’s Shâhnâmeh and Popular Culture, a Video Presentation by Hooman Hedayati. This is a condensed and revised version of Hooman’s presentation at the 2009 Ferdowsi Teach-In at the University of Texas at Austin (ferdows1000.com).

A close look at the great attention which Ferdowsi (940-1020 CE) and his epic narratives called Shahnameh {Book of Kings} (1010 CE) receives today suggests that significant aspects of this attention may not relate to the text of Ferdowsi’s stories per se, but rather to the adaptations and interpretations of them and artistic and cultural reactions to them autside of the realm of Persian literature and literary culture, among them: (10) Saied Ghahari’s 2005 animation feature film called The Rebirth of Rostam, (20) Rostam and Sohrab Opera by Loris Tjeknavorian and Darya Dadvar, (3) Robert de Warren’s Zal and Rudabeh ballet suites, (4) Nicholas Maw’s Shahnama for Small Orchestra, (5) Ziba Shirazi’s pop song called “Iran” and Shahnameh-based Persian rap Music, (6) Shahnameh naqqali (recitation performances in Iran past and present, (7) the Iranian Age of Warrior Heroes video game, (8) Shahnameh comic book series and children’s books, (9) Parviz Kardan’s Shahnameh video stories for children, (10) The Tragedy of Rostam and Sohrab (Tajik feature film, 1971 (in Russian), 1991 (in Tajiki), (11) a Tajik folk version of Ferdowsi’s Story of Esfandiyar (from M. Hillmann’s Tajiki Textbook and Reader), (12) Ferdowsi’s Story of Seyavash and the tradition of Seyavashan [Mourners of Seyavash], (13) Bahram Beizai’s film and stage play called the Death of Yazdgerd. A Spring 2010 course at UT Austin called Ferdowsi’s Shahnameh and Pop Culture (MES 324k), taught by Michael Craig Hillmann, will treat in detail subjects of Hooman Hedayati’s video presentation as a window into Iranian culture.