10th Annual March to Stop Executions

10th Annual March to Stop Executions

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RSVP online:
 http://www.facebook.com/event.php?eid=176464591094

For more information visit: marchforabolition.org

EXONERATED PRISONERS AND FAMILY MEMBERS OF INNOCENTS ON TEXAS DEATH ROW TO LEAD 10TH ANNUAL MARCH TO ABOLISH THE DEATH PENALTY

On October 24th, the Iranian-American community of Austin will march in solidarity with the people of Texas to call for an end to this barbaric tradition around the world. We will hold signs calling for an end to stoning, execution of children, and political prisoners in Iran (you are welcome to bring your own signs and posters). CNN and several European TV channels are going to cover this march. This will be a great opportunity to raise awareness about the human rights conditions in Iran and also in our own state of Texas.

Saturday, October 24th 2pm: (AUSTIN) Family members of Reginald Blanton, Jeff Wood, Luis Castro Perez and Rodney Reed, Texas Death Row cases with strong innocence claims, will lead the “10th Annual March to Abolish the Death Penalty” in Austin October 24th. Speakers at the annual march include Shujaa Graham and Curtis McCarty, who served more than 20 years combined on death row before being fully exonerated and released. Eugenia Willingham, mother of Cameron Todd Willingham, will be among the special guests at this year’s march. In three independent reviews over the last five years, seven of the nation’s foremost arson experts have found that the forensic analysis that led to Todd Willingham’s conviction and execution in 2004 was completely wrong — that there was no scientific basis to find that the fire was anything more than a tragic accident. All of the non-scientific evidence against Willingham has also been discredited.

Speakers and other confirmed attendees at the march also include Jeff Blackburn (Chief Counsel of the Innocence Project of Texas), Jeanette Popp (a mother whose daughter was murdered but who asked the DA not to seek the death penalty), Elizabeth Gilbert (the pen pal of Todd Willingham who first pushed his innocence and helped his family find a fire expert to investigate), Walter Reaves (the last attorney for Todd Willingham, who fought for him through the execution and continues to fight to exonerate him), Terri Been whose brother Jeff Wood is on death row convicted under the Law of Parties even though he did not kill anyone, and Anna Terrell the mother of Reginald Blanton who is scheduled for execution in Texas on Oct 27 three days after the march.
The march starts at 2 PM on October 24 at the Texas Capitol. Supporters will gather at the Texas Capitol at the gates leading into the Capitol on the sidewalk at 11th Street, march down Congress Avenue to 6th street, then back to the South Steps of the Capitol for a rally to abolish the death penalty.

The Annual March to Abolish the Death Penalty has been held each October since 2000 in cooperation with several Texas and national anti-death penalty organizations. It is a coming together of activists, family members of those on death row, community leaders, exonerated prisoners and all those calling for abolition.
Each October since 2000, people from all walks of life and all parts of Texas, the U.S. and other countries have taken a day out of their year and gathered in Austin to raise their voices together and loudly express their opposition to the death penalty. The march started in Austin in 2000. In 2007 and 2008, the march was held in Houston. This year, it is coming back to Austin.

The annual march is organized by several Texas anti-death penalty organizations, including the Austin chapter of the Campaign to End the Death Penalty, Texas Moratorium Network, the Texas Death Penalty Abolition Movement, Texas Students Against the Death Penalty and Kids Against the Death Penalty and sponsored by over 50 various organizations.

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مجازات اعدام را لغو کنید

مجازات اعدام، مجازاتی غیر انسانی است و به دور باطل خشونت و انتقام در جامعه دامن میزند. مجازات اعدام در هیچ کشوری تاکنون باعث کاهش میزان جرم و جنایت نشده و به خصوص در کشورهای دیکتاتوری حربه ای قانونی و وسیله سرکوب و قتل مخالفان و دگراندیشان است. از سویی عوارض روانی مجازات اعدام در کوتاه و دراز مدت هم بر بازماندگان قربانیان و هم آنها که مجازات را اجرا می کنند مخرب است و از سویی دیگر از جامعه نسبت به خشونت و رفتار خشن حساسیت زدایی می کند. برای بنیاد جامعه مدنی، دموکراسی و نهادینه کردن حقوق بشر، احترام و امنیت برای دگراندیشان و تبلیغ فرهنگی خشونت پرهیز، لغو مجازات اعدام در ایران یکی از گام های اولین و پایه ای است.

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Sponsors of the 10th Annual March to Abolish the Death Penalty

Campaign to End the Death Penalty – Austin Chapter, Texas Moratorium Network, Texas Death Penalty Abolition Movement, Texas Students Against the Death Penalty, Kids Against the Death Penalty, Texas Death Penalty Education and Resource Center, Students Against the Death Penalty, Sister Helen Prejean, Jeff Blackburn, Award-winning trial lawyer best known for overturning the wrongful convictions of 38 residents of Tulia, Texas. He currently serves as Chief Counsel for the Innocence Project of Texas and as a member of the IPOT’s Executive Committee. Organization given for identification purposes only., Community Involvement Committee, 1st Unitarian Universalist Church of Houston, International Socialist Organization, Dallas Peace Center, Human Rights Coalition, College Station, Rice University chapter of Amnesty International, Journey of Hope…from Violence to Healing, South Carolinians Abolishing the Death Penalty (SCADP), Reprieve, Ensemble Contre la Peine de Mort (Together Against the Death Penalty), France, Lee Camp (comedian/writer/activist), Jill Sobule (singer/songwriter), Abolition U.K., ALIVE-Coalition to Abolish the Death Penalty-Germany, Capital of Texas Democrats For Life (CTDFL), Democrats For Life of Texas (DFLT), NOKOA – The Observer, Iranians for Peace and Justice, Texas Civil Rights Project, S.H.A.P.E. Community Center in Houston, inkblot creative (Shannon Dudley), Loving a Convict, Ray Hill’s Prison Show on Houston’s Pacifica radio station KPFT 90.1 FM, UT Prison Caucus (University of Texas at Austin), Social Justice Action Coalition (University of Texas at Austin), DP Coordination Team of Amnesty International Canada Francophone, D.R.I.V.E. Movement, Joanne Gavin, a founding member of Texas Death Penalty Abolition Movement, Anti-Racist Action (ARA), Diana Claitor, The Texas Jail Project, Iran Human Rights, Mary Ellen Kersch, Georgetown Texas, Todd Moye, Fort Worth, Sylvi, Calvet, France, Frances Morey, Austin, Judith Palfy, London, Art Browning, Cypress Texas, Mary Hunter, Chatanooga TN, Cynthia Brewer, Victoria Texas, Mimi Attleson, Albuquerque New Mexico, Emmanuelle PELOIS, Paris France, Tony and Rachael Ford, MonkeyWrench Books, Marj Loehlin, Austin TX, Bill Pelke, Alaska, Thomas Long, Greenville, NC, Tim Duda, San Antonio TX, Eric Schwing, Richmond, Allen Ansevin, Houston TX, Shelly Henderson, Los Angeles CA , Verneeda Alvarez, Baltimore, MD, Anna Shockley, Jamestown SC, -Capital-”X” aka 305375, Carmen Sert, Barcelona Spain

Screening of Brick and Mirror (Khesht va Ayeneh) by Ebrahim Golestan‎

Screening of Brick and Mirror (Khesht va Ayeneh) by Ebrahim Golestan‎

n149132735605_9816Tuesday, October 13, 2009 – 7:30 PM  Burdine 216‎
Persian with English subtitles.
Runtime: 131 min Black and White

Followed by a discussion with Somy Kim.

Facebook Event

One of “Reader” critic Jonathan Rosenbaum’s “Top 1000” from his book Essential Cinema, THE BRICK AND THE MIRROR is as fabled for being unseen in a public screening in over 35 years as for its significant thematic and technical breakthroughs. Moody realism conveys a stark poetry in this tale of a cab driver stuck with an abandoned baby in his back seat. Moral quandaries and social fears vie with eroticism when the driver and a lonely woman spend the night with the baby as the phantom facsimile of a family. The film’s finale, set in an orphanage, is a stunning, haunting piece of social realism that was to send ripples of influence through the next four decades of Iranian cinema.

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Brick and Mirror is unlike anything I have seen from Iran, for it is my introduction to Iranian cinema before the revolution. With the world’s eyes keenly focused on Iran, – politically or otherwise – there prevails a risk of drawing a monolithic portrait of the country. Watching Brick and Mirror, one can see how starkly different the two ages are and how drastic a cultural shift its citizens were subject to after 1979. Golestan’s film, more or less, also testifies the strong relation between France and Iran that prevailed during the Shah’s regime. He, evidently and interestingly, draws inspiration from both Godard and Bresson, apart from incorporating tenets from other famous schools of film-making. With complete control over every aspect of the film (writing, directing, editing and producing it by himself), Golestan churns out a film that is clearly Iranian in content, yet could pass of as one of the French New Wave movies.

Almost the whole film, both formally and script-wise, never conforms to the popular law of cause and effect. Golestan refuses to explain everything and seems to want us to not understand the city, much like Hashemi himself. Who is that crazy female at the hell-hole that Hashemi meets earlier? No answer. What is the guy, whom one might have called a charlatan earlier in the film, doing on the national channel talking about the ethics of living? No answer. Could that female, whom Hashemi sees the second night be the same lady who left the baby in his car the previous day? May be. But surely, all these aren’t merely confusing or distancing devices. Each of these scenes reveals something about the city and the era, in one way or the other. Each of them has indirectly managed to document history – cultural and cinematic. Consequently, now more than ever, it feels that these seemingly stray events are the very elements that can help us perceive better a country that has been unjustly homogenized using, what Brick and Mirror shows us, a faux identity.

Director: Ebrahim Golestan(Ebrahim Golestan (also spelt Ibrahim Golestan, Persian: ابراهیم گلستان , born 1922 in Shiraz, Iran) is an Iranian filmmaker and literary figure with a career spanning half a century. He has been living in Sussex, United Kingdom, since 1975. He is the father of Iranian photojournalist Kaveh Golestan, and Lili Golestan,translator and owner and artistic director of the Golestan Gallery in Tehran, Iran. His grandson, Mani Haghighi, is also a film director.) Writer: Ebrahim Golestan Cast: Taji Ahmadi, Zackaria Hashemi, Parviz Fanizadeh, Manuchehr Farid, Mohamad Ali Keshavarz, Jamshid Mashayekhi, Akbar Meshkin, Jalal Moghadam.
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Iranians for Peace and Justice
 www.utipj.com

PRESENTS
Fall Film & Lecture Series

Tuesday, 10/06/09 Waggener 101 7:30 PM
Lecture: Ferdowsi’s Shâhnâmeh and Popular Culture by Hooman Hedayati

Tuesday, 10/13/09 Burdine 216 7:30 PM
Screening: Brick and Mirror (Khesht va Ayeneh) by Ebrahim Golestan
Followed by a discussion with Somy Kim

Tuesday, 10/20/09 Burdine 216 7:30 PM
Screening: Color of Paradise (Range Khoda) by Majid Majidi

Tuesday, 10/27/09 Burdine 216 7:30 PM
Screening: Bashu (Little Stranger) by Bahram Beizai

Tuesday, 11/03/09 Burdine 220 7:30 PM
Screening: Men at Work (Mardan Dar Karand) by Mani Haghighi

Tuesday, 11/10/09 Burdine 220 7:30 PM
Screening of The song of Sparrows (Avaze Gonjeshk-ha) by Majid Majidi

Tuesday, 11/17/09 Waggener 101 7:30 PM
Lecture: Uprising in Iran by Prof. Snehal Shingavi

Tuesday, 11/24/09 Waggener 101 7:30 PM
Lecture: Abu Muslim, the First Iranian Revolutionary after Islam by Novin Ghaffari

‎Ferdowsi’s Shâhnâmeh and Popular Culture , a Video Presentation

‎Ferdowsi’s Shâhnâmeh and Popular Culture , a Video Presentation

n162508958082_8403Ferdowsi’s Shâhnâmeh and Popular Culture, a Video Presentation by Hooman Hedayati. This is a condensed and revised version of Hooman’s presentation at the 2009 Ferdowsi Teach-In at the University of Texas at Austin (ferdows1000.com).

A close look at the great attention which Ferdowsi (940-1020 CE) and his epic narratives called Shahnameh {Book of Kings} (1010 CE) receives today suggests that significant aspects of this attention may not relate to the text of Ferdowsi’s stories per se, but rather to the adaptations and interpretations of them and artistic and cultural reactions to them autside of the realm of Persian literature and literary culture, among them: (10) Saied Ghahari’s 2005 animation feature film called The Rebirth of Rostam, (20) Rostam and Sohrab Opera by Loris Tjeknavorian and Darya Dadvar, (3) Robert de Warren’s Zal and Rudabeh ballet suites, (4) Nicholas Maw’s Shahnama for Small Orchestra, (5) Ziba Shirazi’s pop song called “Iran” and Shahnameh-based Persian rap Music, (6) Shahnameh naqqali (recitation performances in Iran past and present, (7) the Iranian Age of Warrior Heroes video game, (8) Shahnameh comic book series and children’s books, (9) Parviz Kardan’s Shahnameh video stories for children, (10) The Tragedy of Rostam and Sohrab (Tajik feature film, 1971 (in Russian), 1991 (in Tajiki), (11) a Tajik folk version of Ferdowsi’s Story of Esfandiyar (from M. Hillmann’s Tajiki Textbook and Reader), (12) Ferdowsi’s Story of Seyavash and the tradition of Seyavashan [Mourners of Seyavash], (13) Bahram Beizai’s film and stage play called the Death of Yazdgerd. A Spring 2010 course at UT Austin called Ferdowsi’s Shahnameh and Pop Culture (MES 324k), taught by Michael Craig Hillmann, will treat in detail subjects of Hooman Hedayati’s video presentation as a window into Iranian culture.


Upcoming events!

Upcoming events!

Today 6:30 PM at ETC 2.132
PSS Lecture: Women, Labor Market and Family Decisions by Hamed Ghoddusi.
http://www.facebook.com/event.php?eid=142389012901

Wednesday
What: Movie night, Kan’an (In Persian)
When:: Wednesday, September 30th
Where: MEZ 0.306
Time: 7:00-9:00 PM

Tuesday, October 3, 2009
Ferdowsi’s Shâhnâmeh and Popular Culture, a Video Presentation by Hooman Hedayati. This is a condensed and revised version of Hooman’s presentation at the 2009 Ferdowsi teach-in at the University of Texas at Austin (ferdows1000.com).
http://www.facebook.com/event.php?eid=162508958082

ISACO needs a few boy dancers for their Fall Performing Arts Show. If you are interested please contact jmeschin@mail.utexas.edu

Austin Flash Mob

Austin Flash Mob

Wednesday, September 23, 2009
12:50pm – 1:00pm
West Mall – In front of the Union Starbucks

On June 15, 20, only two days after the results of the presidential election were announced in favor of Mahmoud Ahmadinejad, millions of Iranians suspecting election fraud, took to the streets in peaceful marches in major cities across Iran, chanting “where is our vote?” What they received in response to this nonviolent action were bullets, batons and imprisonment, not to mention the torture and rape that some faced inside the prisons. The days became bloodier and more embittered for Iranians as the summer went on. To get a detailed recap of the violence and suffocation that still haunts
Iran, you may visit http://en.wikipedia.org/wiki/2009_Iranian_election_protests

On September 23rd, Mahmoud Ahmadinejad is scheduled to speak at the United Nation as the president of Iran. Iranians everywhere are going to say loud and clear to the world, that not only does Ahmadinejad not represent the nation of Iran, but also that we will not be silenced until he and other responsible authorities are brought to justice for their crimes.

Several organizations on campus including, Austin for Iran and Iranians for Peace and Justice are organizing a flash mob this Wednesday to show our solidarity with the Iranian people.

Please participate in this flash mob if you can (It won’t take more than 5-10 minutes) and also invite as many UT students as you can to the Facebook event:
http://www.facebook.com/event.php?eid=132590968911
or

http://www.new.facebook.com/event.php?eid=148905970824

Wednesday, September 23, 2009
12:50pm – 1:00pm
West Mall – In front of the Union Starbucks

Here is the plan:

At around 12:45 on Wednesday gather around the west mall in front of the Union Starbucks. You may need to get out of your class a few minutes early in order to get there on time.

At about 12:50 a small group of frustrated people dressed in green t-shirts will walk out of the union looking around and asking “have you see my vote? or where is my vote?”

One after another people start looking around and searching for their votes, asking passerbys and looking all around the place (in our backpacks, purses, under the bikes, trees and etc). You can ask questions like, “have you seen my vote? where is my vote? or Where is their votes?” and etc.

At a moment when every one is busy looking for their votes, Bonnie sits down in the center with her face or cloth drenched in a red color (blood). The rest of the mob follows and sits around her. After everyone is quiet, Bonnie will stand up and reads a short poem. Then a few green balloons symbolizing our hopes and wishes are released into the air. Watch the balloons go into the air and then one by one stand up and walk to your next class.

Please make sure to confirm and invite your friends online at:
 http://www.facebook.com/event.php?eid=132590968911

To learn about our upcoming events go to:
www.utipj.com
and
 www.austinforiran.org

Video of Mohsen Kadivar’s Speech at UT Austin

Video of Mohsen Kadivar’s Speech at UT Austin

More than 100 people attended last weekend’s lecture by Dr. Kadivar at the University of Texas at Austin.

Nuclear Development in Iran: a Debate at the Alamo Drafthouse

Nuclear Development in Iran: a Debate at the Alamo Drafthouse

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Date:
Wednesday, August 5, 2009
Time:
7:00pm – 9:00pm
Location:
City/Town:
Austin, TX

Facebook Event

A Debate: “Resolved: Iran has a legitimate right to pursue nuclear technology, including weapons.” Isn’t this the sort of thing real debates are about? Kurt Hildebrand and Michael Badnarik (former Libertarian Party Presidential Candidate) will debate.

The Dionysium debate pits two experts against each other in toe-to-toe parliamentary combat. Dionysium debate resolutions have covered everything from Social Security reform to the future threat of genocidal robots. An audience interrogatory segment allows guests to personally challenge debaters, and every resolution is adopted, or defeated, by an audience vote.

A Lecture: The Shaw Alphabet. George Bernard Shaw hated English spelling; he left money in his will to create a new alphabet, now forgotten by all but a handful of hobbyists. Who hasn’t hated English spelling deep down in their heart?

A Declamation: :Sonia Sotomayor’s “A Latina Judge’s Voice” speech, read by Ms. Dawn Youngs. See what all the fuss is about!A CartoonAustin animator Lance “Fever” Myers will show a cartoon, handpicked for your viewing pleasure! The Musical StylingsOf Maestro Graham Reynolds on the swingin’ 60’s Alamo Organ

A Drinking Song

And much, much more

ADMISSION EIGHT DOLLARS • BUY TICKETS ONLINE

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ABOUT THE DIONYSIUM
Dionysium offers a unique, innovative program of debate, lecture, declamation, theatrical presentation and music in a salon-like atmosphere. Audiences enjoy offerings not to be found elsewhere in Austin, including the recitation of famous speeches, participatory discussion in a formal, moderated context, and the opportunity to participate in the recreation of Ancient rituals.


A Discussion with Dr. Mohsen Kadivar

A Discussion with Dr. Mohsen Kadivar

kadivarSun, August 9, 2009
5:00 PM
AVAYA Auditorium
(ACES 2.302—Corner of 24th and Speedway)

Dr. Mohsen Kadivar is associate professor at the Iranian Institute of Philosophy in Tehran, and will spend the 2009-2010 academic year as a visiting professor of Religious Studies at Duke University where he will teach teaching undergraduate and graduate courses on ethics in contemporary Iran, Islamic political theory, and Islamic philosophy and jurisprudence. Dr. Kadivar studied Islamic jurisprudence and philosophy at the Qom Seminary, and went on to receive a doctorate of philosophy and theology in Tehran. He has written more than 13 books reconciling Islamic traditions and modern democracy.

Dr. Kadivar’s writing on the theology of freedom has been critical of the doctrine of Velayat-e Faqih (Rule of the Supreme Jurist), an innovation in Shi’te political thought instituted in Iran by Ayatollah Khomeini in 1979, calling into question the religious authenticity of this form of autocratic rule. In 1999, Kadivar was convicted by the Special Court for Clergy and sentenced to eighteen months in prison on charges of having spread false information about Iran’s “sacred system of the Islamic Republic” and of helping enemies of the Islamic revolution.

The discussion will take place in Persian.

This event is free and open to the public. Public parking is available on the street or in the Speedway Garage, 27th and Speedway.

Video Blog: Austin Global Day of Action for Iran

Video Blog: Austin Global Day of Action for Iran

Austin Global Day of Action for Iran (1/6)
Guitar by Daniel Cioper

Speakers: Hooman, Anousha Shahsavari, and former student activist and political prisoner Ali Shabani (imprisoned for 30 months because of his involvement with the 18 Tir movement). (2/6)

Great speech by UT Prof. Snehal Shingavi (3-6)

Speakers: Roja Najafi and Pablo Miguel Alberto Vasquez. Music (at the end of the clip) by Daniel Cioper. (4/6)

Speakers: Daniel Cioper, Selah Se, and Borghan, former president the Islamic Association of Sharif University. (5/6)

Singing Yare Dabestani and Ey Iran at the Austin Global Day of Action for Iran (6/6)

Free screening of Tabiat-e Bijan (Still Life) 1972 by Sohrab Shahid-Saless

Free screening of Tabiat-e Bijan (Still Life) 1972 by Sohrab Shahid-Saless

n111147826405_8898SUMMER FILM SERIES

Wednesday, 7/22/09—Tabiat-e Bijan (Still Life) 1972 by Sohrab Shahid-Saless.
Thursday, 7/30/09—Arusi Persian Wedding 2009 (PBS Independent Lens)
Wednesday, 8/5/09 —  – Rick Steves’ Iran: Yesterday and Today 2009 (Public TV Special)
Wednesday, 8/12/09—Rang-e Khoda (Color of Paradise) 1999 by Majid Majidi
Wednesday, 8/19/09—TBA

The screenings are free and will be held on the UT-Austin campus. The exact building and room number will be posted soon on www.utipj.com, so make sure to check the website and join us!

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Tabiat-e Bijan (Still Life)

Host:
Network:
Global
Date:
Wednesday, July 22, 2009
Time:
7:30pm – 9:30pm
Location:

A stark, minimalist study of the disposability of the individual in the industrial age. De-dramatised to focus on only the absolutely essential, the film shows an existence defined by a railway track, which is the source of sustenance, but at the same time the cause of virtual exile to the monotonous alienation of being responsible for one single routinised function. It is almost the only link to the outside world, yet it has isolated the individual from any kind of organic link with natural production or broader humanity.

A restrained, quiet film, in which nothing is touched up or beautified, that will reward the patient viewer.

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Film Review in Persian by Daryabdami
 http://daryabdami.blogspot.com/2009/03/blog-post.html

Spoiler Warning!! Don’t read the Persian text if you don’t want to know the ending.

نویسنده و کارگردان: سهراب شهید ثالث
مدیر فیلمبرداری: هوشنگ بهارلو
تدون: روح الله امامی
تیتراژ و طراح پوستر: مرتضی ممیز
تهیه کننده: پرویز صیاد
بازیگران: بنیادی، زهرا یزدانی، حبیب الله سفریان، محمدعلینقی کنی، مجید بقایی، هدایت الله نوید
سال ساخت: 1354

داستان فیلم به زندگی زن و شوهری پیر در نقطهای دور افتاده میپردازد. مرد سوزنبان سادهای است که در ابتدای فیلم بازرس خط به همراه دو نفر دیگر به دیدن او میروند و زن نیز در خانهی ساده و محقر شان قالیچه میبافد تا امورات زندگی بگذرد. در قسمتی از فیلم دو نفر برای خرید قالیچه به خانه زن و مرد میروند. در قسمتی دیگر تنها فرزندشان که خدمت سربازی را میگذراند به دیدن آنها میآید و فردا با پایان یافتن مرخصیاش به پادگان بر میگردد. همه چیز کاملا ساده و بیجان بنظر میرسد. سوزنبان حکم بازنستگیاش را دریافت میکند. فردا شخصی به محل کار سوزنبان میآید و ادعا میکند جانشین اوست. سوزنبان به شهر میرود تا شکایت کند. در نهایت به کافهای میرود و کمی عرق میخورد. در آخرین صحنه سوزنبان و زنش خانهی محقرشان را ترک میکنند در حالیکه زن ساعت شماطهداری در دست دارد و مرد نیز مشغول بار کردن اثاثیه منزل است. فیلم در این نقطه به پایان میرسد.

من فیلمهایم را از زاویه نگاه یك نظارهگر میسازم و با این روش اجازه میدهم مخاطبانم خودشان به قضاوت بنشینند.
شهید ثالث – 

دوربین تقریبا در تمامی صحنههای فیلم ثابت است. این امر فیلم را به قطعاتی مجزا تقسیم میکند که در قسمتهایی تقدم و تاخر زمانی دارند. گویی فیلمساز میخواهد با این کار زمان و مکان را بیحرکت نشان بدهد. آینده در گذشته و گذشته در آینده سیر میکند. نمیتوان خطی جدا کنند بین آنها ترسیم کرد. این امر خصوصا در ابتدای فیلم بارزتر است.
«نه پیرمرد و نه همسرش آماده هیچ تغییر و تحولی نیستند؛ زیرا زمان مفهوم طبیعی خودش را برای آنها از دست داده است. سه بُعد زمان(حال و گذشته و آینده) برای آنها معنایی ندارد، و زندگی آنها در توهم زمان حال تکرار میشود. فیلم در زمان حال میگذرد؛ تمامی زمان لحظه حاضر است. آنها در لحظه حاضر زندگی میکنند، در اکنون؛ گویی چیزی به نام گذشته و آینده وجود ندارد. زمان حال گذشته را تکرار میکند و آینده میتواند آبستن خطر باشد. در حقیقت برای آنها حرکتی به سوی آینده وجود ندارد؛ زیرا فقط میتوانند گذشته را به صورت زمان حال تکرار کنند و پشت سر بگذارند. اما زمان به عنوان چارچوب امکانات به ناچار پدیده دگرگونی را پیش میآورد؛ دگرگونی به صورت رویداد غیرمنتظره، یا همان اعلام حکم بازنشستگی.» [1]
فیلم بعد از دریافت حکم بازنشستگی پیرمرد به نوعی حتی تماشاگر را هم به هم میریزد. فیلم در نقطهای به پابان میرسد که گویا زمان نیز از کار میافتدو مرد در آخرین صحنه نگاهی به آیینه میاندازد و در حالی به شدت افسرده بنظر میرسد این آخرین وسیله را هم برمیدارد.

ابت بودن دوربین در بیشتر صحنهها شاتهای دوربین را تبدیل به پرترهای کرده است که در آن اشیا ثابت هستند و حرکت انسانها گویی تاثیری در مانایی طبیعت ندارد. جدا از اینکه این امر باعث خلق تصاویر زیبا و بدیع نیز شده است.
پوستر فیلم طرحی است از زنده یاد مرتضی ممیز. پوستر زمینهای تیره دارد که عکس پیرمرد در حالی که گویا ممهور به مهر «طبیعت بیجان» شده است دیده میشود. پاکت نامه و ساعت شماطهدار شاید یادآور نامه بازنشستگی پیرمرد و ساعات حرکت قطار باشد.